Non-feathered draft stallion. Released 2004.
Laf'n Bear Marhsall II
Dapple grey draft stallion. Studio unique #1, 2004.
Laf'n Bear Marhsall II
Dapple grey draft stallion. Studio unique #2, 2004.
Laf'n Bear Marhsall II
Dapple grey draft stallion. Studio unique #3, 2004.
Laf'n Bear Marhsall II
Bay roan draft stallion. Studio unique #4, 2004.
Laf'n Bear Marhsall II
Chestnut draft stallion. Studio unique #5, 2004. (Damaged in shipping incident and replaced with #8.)
Laf'n Bear Marhsall II
Dapple grey draft stallion. Studio unique #6, 2004.
Laf'n Bear Marhsall II
Chestnut draft stallion. Studio unique #7, 2005. Claybody variation
Laf'n Bear Marhsall II
Chestnut draft stallion. Studio unique #8, 2005.
Laf'n Bear Marhsall II
Leopard appaloosa stallion. Studio unique #13, completed 2007. Lynn describes this piece as: This piece underwent nearly a dozen firings to create a richly layered leopard pattern with ghostly haloes, pinkish and mottled skin tones, dusty feathers and striped hooves. An inscription on the horse's belly documents that this piece is Studio Unique # 13, and that he was bisque fired in November of 2006.
Painted on the bottom of his left hind hoof are the artist's initials, LAF, the date the piece was finally completed, 4/17/07.
Claybody custom Laf'n Bear Marhsall II
Dapple Grey. Known as "Yankee Doodle Dandy" as he came out of the kiln on Independence Day. Completed 2008. Lynn describes this piece as: This dappled grey sabino differs from previous "Marshalls" in that he is now a shod stallion with a slightly more convex profile who sports silky feathers and a swishing tail that accentuate his movement.
His luminous color was built up with multiple layers and firings of under glaze and glaze. The finish glaze on his body is a soft matte, while his eyes, hooves, shoes and even nostrils sparkle with a high gloss glaze.
Claybody custom Laf'n Bear Marhsall II
Bay Sabino; #15 in series. Completed 2009. Lynn describes this piece as: TThough not dramatically different in the final look than previous work, he is the first piece in which I relied on overglaze enamels to layer colors over an underglaze base color.